Thursday, November 18, 2010

Sony Alpha NEX-5

As expected, Sony has unveiled the NEX-3 and NEX-5 mirrorless interchangeable lens cameras. The two cameras are both built around the 14.6 megapixel Exmor APS HD CMOS sensor announced at the PMA 2010 exhibition in February and the new, mirrorless E-mount. Both offer high-resolution tilt/flip screens, fast continuous shooting and HD video capture, with 720p from the NEX-3 and 1080i, AVCHD from the NEX-5. Also announced are three E-mount lenses: a 16mm F2.8 pancake, offering a 24mm equivalent field-of-view, a standard 18-55mm F3.5-5.6 stabilized kit zoom, with a 18-200mm F3.5-6.3 stabilized superzoom to follow. We've been using both NEXs for a while and have delved beyond the raw specifications to prepare hands-on previews of both models.

Phil: Having spent a considerable amount of time producing previews of both cameras we were slightly surprised this morning to see full reviews of the NEX-5 on another sites who were apparently given production cameras (which we were promised but never received). We only received pre-production models and honored Sony's request not to publish images.

Jump to:

Press Release:


Sony’s compact, easy to use NEX-5 and NEX-3 with interchangeable lenses and HD video

New a digital cameras with DSLR picture quality and responsive shootingWorld’s smallest and lightest* interchangeable lens digital camera (NEX-5) 14.2 effective megapixels Exmor™ APS HD CMOS sensor1080i HD movie recording (NEX-5) with stereo sound, fast and silent autofocus Intuitive new interface with Help Guide and Shooting TipsE-mount lens system compatible with a DSLR lenses (with optional Mount Adaptor) Sweep Panorama with 3D capability**

Now photographers can enjoy the superlative picture quality and shooting responses prized by DSLR users in two beautifully compact new cameras that are brilliantly easy to use.

Joining the a family, the NEX-5 and NEX-3 team DSLR-quality imaging with the convenience of interchangeable lenses in a sleek new design that slips easily into a jacket pocket or bag. In contrast with conventional DSLR models, the ‘mirrorless’ construction shrinks the thickness of both cameras to just 24.2mm (NEX-5) at their slimmest point. As a luxurious extra refinement, the NEX-5 features a tough yet light-weight magnesium body, making it the world’s smallest and lightest interchangeable lens digital camera.

At the heart of both cameras is a newly-developed Exmor APS HD CMOS sensor with a resolution of 14.2 effective megapixels. Far larger than the sensor inside conventional compact cameras, its key to the extremely low image noise and creative defocus effects that are familiar to DSLR users.

Still and video image quality is further refined by the powerful BIONZ processor that ensures speedy DSLR-style shooting reflexes with quick, precise autofocus and minimal shutter lag. Both cameras can also capture fast-moving action with a high-speed burst of full-resolution images at up to 7fps (AF/AE fixed from first frame).

An elegant, uncluttered user interface – featuring a new ‘never get lost’ menu – makes the powerful creative possibilities of the NEX-5 and NEX-3 accessible to enthusiasts and step-up users alike. Shooting parameters are easily accessed via an intuitive control wheel and two soft keys. Turning the control dial, for example, allows depth of focus changes to be previewed ‘live’ on the LCD***, giving effortless control over beautiful, pro-style portraits. Further help for novice users is provided by on-screen shooting tips and a friendly help guide.

Images and camera settings are displayed on the big, bright 7.5cm (3”), Xtra Fine LCD with TruBlack technology that tilts up or down for comfortable viewing in any shooting position. The screen features an auto-brightness function for excellent visibility, even when you’re outdoors. TruBlack screen technology enables an even more vivid, high-contrast view of images and camera settings.

Compatibility with a wide range of interchangeable lenses dramatically expands the artistic possibilities of the E-mount camera system.

Ideal for everyday shooting, the low-profile E 16mm F/2.8 ‘pancake’ lens (SEL16F28) minimises bulk when the camera is being carried in a coat pocket. Its field of view can be boosted even further by the VCL-ECU1 Ultra Wide Converter and VCL-ECF1 Fisheye Converter that deliver high-definition optical performance in a sleek, co-ordinated design.

Featuring in-lens SteadyShot image stabilisation for clearer handheld images, the E 18-55mm F/3.5-5.6 zoom (SEL1855) is a perfect travel partner. The NEX-5 and NEX-3 are available in kit form with either lens, or as a double-lens kit that provides even greater shooting versatility. The NEX-5 can also be specified as a kit with the optional E 18-200 F/3.5-6.3 zoom that offers a powerful 11x magnification range plus Optical SteadyShot image stabilisation with Active Mode at wide angle for steadier movie shooting.

An optional LA-EA1 mount adaptor extends compatibility to the a family of 30 lenses and teleconverters, plus a huge range of other legacy A-mount lenses (Manual Focus only).

The NEX-5 and NEX-3 are also the first a cameras to offer the extra convenience of HD video recording. At the touch of a dedicated Movie REC button, the NEX-3 shoots HD video with stereo sound as compact MPEG4 files that are ideal for PC storage and web sharing. Full HD (1920 x 1080i) video captured by the NEX-5 as high-quality AVCHD files can be enjoyed on a connected HD television. As an option, the smart accessory terminal on both cameras accepts the compact ECM-SST1 Stereo Microphone that captures a high-quality soundtrack for your HD videos.

The NEX-5 and NEX-3 are the first a cameras featuring Sweep Panorama. Just press the shutter button and swing the camera side-to-side or up and down. A high-speed burst of frames is stitched together automatically to create detail-packed 23 megapixel panoramas with a 226 degree effective angle of view****. Panoramic files can also be enjoyed in stunning 3D on compatible BRAVIA™ 3D televisions.*****

As previously introduced on the DSLR-A550, Auto HDR has been further refined. The NEX-5 and NEX-3 can now shoot a high-speed burst of three images at different exposure values that are electronically combined in the camera. This produces a single High Dynamic Range image with extended highlight and shadow detail.

Both cameras come supplied with a super-compact clip-on flash that attaches via the smart accessory terminal when needed for low-light shooting. Other optional accessories include the FDA-SV1 Optical Viewfinder plus colour coordinated cases and shoulder straps.

The NEX-5 and NEX-3 system cameras from Sony are available from summer 2010.

* As of May 11, Sony research.  Among the interchangeable-lens camera bodies.
** Via firmware update available summer 2010.
*** Effective only when an E-mount lens is attached.
**** At maximum with E 16mm F/2.8 lens in wide mode setting.
***** 3D is only available via firmware update available summer 2010 at users' option.


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Wednesday, November 17, 2010

Sony Cyber-shot DSC-WX5

Sony has unveiled the Cyber-shot DSC-WX5, DSC-TX9 and DSC-T99 digital compacts. The WX5 and TX9 incorporate the company's latest 12.2MP, 1/2.3" Exmor R back illuminated CMOS sensor. Both feature a 'Superior Auto' mode that shoots bursts of between 2 and 6 shots then combines them either to reduced noise or boost dynamic range, depending on the scene you're shooting. The WX5 includes a wide angle 5x optical zoom lens starting at 24mm equivalent and a 2.8" LCD, while the TX9 comes with a 3.5" touchscreen LCD and a 25-100mm equivalent lens. Other features include a Background Defocus mode, 3D Sweep Panorama mode and 1080i Full AVCHD video recording. The DSC-T99 features the same lens and body design as the TX9, a smaller LCD and a 14MP CCD sensor that cannot achieve the fast multi-shot shooting required for Superior Auto mode. All three cameras offer a Soft Skin mode that tries to smooth out wrinkles and other blemishes from the subject's skin.

Jump to:

Press Release:
Slim, stylish WX5 and TX9 with Superior Auto mode, 1080i Full HD movie
and 3D Sweep Panorama  

12.2 megapixel Exmor R™ CMOS Sensor and new Superior Auto mode for superb images with DSLR-style low noise performance1080i Full HD movie recording for playback on your HD TV World’s first compact still cameras with 3D Sweep Panorama Sweep Multi Angle for exciting 3D-style viewing effectsBackground defocus mode for stunning professional effectsJuly 8, 2010: Experience a new dimension of photo excitement with this summer’s colourful additions to the Cyber-shot™ family of digital cameras from Sony.

Beautifully slim, light and easy to use, the Cyber-shot™ WX5 and TX9 boast exciting new features for outstanding still picture quality compared with conventional compact cameras. Capable of shooting detail-packed Full HD (1920 x 1080, 50i) AVCHD movie clips, they’re also the first Cyber-shot™ cameras from Sony that can capture amazing 3D images to enjoy on any 3D-compatible TV.Superior Auto mode: incredible low-noise images
The WX5 and TX9 are the first Cyber-shot™ cameras that can capture extremely low-noise images, evoking the expressive power of a digital SLR camera.

Powered by the 12.2 megapixel Exmor R™ CMOS Sensor, Superior Auto mode captures a high-speed burst of up to six frames when you press the shutter button. Camera settings are automatically optimised according to shooting conditions. Cyber-shot™ then combines information from each frame to create an exquisite, low-noise picture with wide dynamic range, as enjoyed by DSLR photo enthusiasts.

As an extra refinement, new Background Defocus makes it easy to achieve pro-style images, similar to the results achieved with a DSLR camera and wide-aperture lens. Cyber-shot™ rapidly shoots two frames when the shutter button is pressed. Position information between the foreground and background is analysed automatically, creating a single picture with your subject in sharp focus and a beautifully blurred background. New Soft Skin mode flatters portrait subjects even further, automatically removing small wrinkles and skin blemishes for effortlessly beautiful results. First-ever 3D Cyber-shot™ cameras
For the first time ever, 3D Sweep Panorama lets you shoot incredible 3D images without needing a bulky, complex double-lens camera system.

Just press the shutter button: the advanced Exmor R™ CMOS Sensor inside the Cyber-shot™ WX5 and TX9 captures a high-speed burst of frames as you sweep the camera from side to side. Information from up to 100 images is automatically combined to create a stereoscopic pair of frames. You can enjoy the incredible results by connecting the camera by HDMI to your 3D-compatible TV.

Cyber-shot™ offers even more exciting 3D image possibilities.  Also new this year, Sweep Multi Angle shoots a high-speed burst of fifteen frames, creating a ‘3D-style’ image of your subject that can be viewed from different angles. After shooting, just tilt the Cyber-shot™ from side to side: sensors inside the camera detect your movements, scrolling through the sequence of multi-angle frames as you tilt and view the camera’s LCD screen. Multi-angle views can also be viewed simultaneously on an ordinary 2D television as you tilt the camera.

You can also enjoy breath-taking panoramic shots with the Cyber-shot™ TX9 while you’re snorkelling or diving. Add an optional marine housing and select Underwater Sweep Panorama mode that optimises white balance for clear, natural results with underwater subjects. Cyber-shot™ T99 – more style, more colour
Also available this summer, the beautifully sculpted Cyber-shot™ T99 is guaranteed to turn heads with a choice of gorgeous new colour options. Inside its slim, curvaceously sculpted lines there’s plenty of smart technology – from Sweep Panorama and 720p HD movie recording to new Soft Skin mode. Like the Cyber-shot™ TX9, the T99 also features new Underwater Sweep Panorama mode for extra-wide sub-aqua scenes.

The beautiful, easy to use Cyber-shot™ WX5, TX9 and T99 digital cameras by Sony are available from mid-September 2010.

• 1 / 2.3 inch “Exmor R” CMOS sensor
• 12.2 million effective pixels
• BIONZ image processor• 1 / 2.3 inch Super HAD CCD sensor
• 14.1 million effective pixels
• BIONZ image processor• 12M (4000 x 3000)
• 9M (4000 x 2248)
• 8M (3264 x 2448)
• 5M (2592 x 1944)
• 2M (1920 x1080)
• VGA (640 x 480)
• 14M (4320 x 3240)
• 11M (4320 x 2432)
• 10M (3648 x 2736)
• 5M (2592 x 1944)
• 2M (1920 x1080)
• VGA (640 x 480)Image sizes
(2D and 3D Panorama)• 7152 x 1080
• 4912 x 1080
• 4912 x 1920
• 3424 x 1920• Still Image : JPEG (EXIF 2.2)
• Movie Clip : AVCHD/ MP4, H.264 compression• Still Image : JPEG (EXIF 2.2)
• Movie Clip : MP4, Standard compression• 24-120mm equiv.
• Vario-Tessar 6 elements in 5 groups (including 5 aspheric elements)
• 5x Optical zoom
• f = 4.25-21.25mm
• F2.4(W)-5.9(T)• 25-100 equiv.
• Vario-Tessar 12 elements in 10 groups (including 4 aspheric elements)
• 4x Optical zoom
• f = 4.43-17.7mm
• F3.5(W)-4.6(T)• Multi point AF (9 points)
• Centre-Weighted
• Spot
• Focus Tracking
• Multi point AF (9 points)
• Centre-Weighted
• Flexible Spot AF (touch)
• Spot
• Focus Tracking• Multi point AF (9 points)
• Centre-Weighted
• Flexible Spot AF (touch)
• Spot• Auto
• ISO 125
• ISO 200
• ISO 400
• ISO 800
• ISO 1600
• ISO 3200 • Auto
• ISO 80
• ISO 100
• ISO 200
• ISO 400
• ISO 800
• ISO 1600
• ISO 3200• Auto(2 sec- 1/1,250)
• Program Auto(1 sec - 1/1,250)• Intelligent Auto
• Superior Auto
• Easy Shooting
• Program Auto
• High senstivity
• Twilight
• Twilight Portrait
• Soft Snap
• Landscape
• Beach
• Snow
• Fireworks
• Gourmet
• Pet mode
• Soft Skin
• Handheld Twilight
• Anti-Motion Blur
• Intelligent Sweep Panorama
• Backlight Correction HDR
• Background Defocus
• 3D Sweep Panorama
• Sweep Multi Angle

• Intelligent Auto
• Superior Auto
• Easy Shooting
• Program Auto
• High senstivity
• Twilight
• Twilight Portrait
• Soft Snap
• Landscape
• Beach
• Snow
• Fireworks
• Hi-speed Shutter
• Underwater(with housing)
• Gourmet
• Pet mode
• Soft Skin
• Handheld Twilight
• Anti-Motion Blur
• Intelligent Sweep Panorama
• Underwater Sweep Panorama(with housing)
• Backlight Correction HDR
• Background Defocus
• 3D Sweep Panorama
• Sweep Multi Angle• Intelligent Auto
• Easy Shooting
• Program Auto
• High senstivity
• Twilight
• Twilight Portrait
• Soft Snap
• Landscape
• Beach
• Snow
• Fireworks
• Hi-speed Shutter
• Underwater(with housing)
• Gourmet
• Pet mode
• Soft Skin
• Sweep Panaroma
• Underwater Sweep Panorama(with housing)• Auto
• Daylight
• Cloudy
• Fluorescent
• Fluorescent 2
• Fluorescent 3
• Incandescent
• Flash
• One Touch (Manual Preset)• Auto
• Daylight
• Cloudy
• Fluorescent
• Fluorescent 2
• Fluorescent 3
• Incandescent
• Flash
• Underwater 1
• Underwater 2
• One Touch (Manual Preset)• Off
• 10sec
• 2sec
• Portrait 1
• Portrait 2• Modes :Auto, Flash On, Slow Syncro, Red eye, Flash Off
• 3.0 inch touchscreen TFT LCD
• approx.230,400 dots • 3.5 inch touchscreen TFT LCD
• approx. 921,600 dots• 2.8 inch TFT LCD
• approx. 460,800 dots• USB 2.0 High Speed
• Multi-use terminal
• HDMI• USB 2.0 High Speed
• Multi-use terminal
• HDMI• USB 2.0 High Speed
• Multi-use terminal• Internal memory (Approx. 32 MB)
• Memory Stick Duo/Pro Duo/ Pro HG Duo
• SD/SDHC/SDXCRechargeable NP-BN1 battery and charger? Email Print Post comment News Discussion Share: Facebook Twitter Digg del.icio.us

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Sony SLT-A55

Sony has unveiled the SLT A55 and SLT A33, the first pair of cameras to incorporate the company's translucent mirror design. The Single Lens Translucent (SLT) cameras offer live view with full-time fast phase-detection AF whether in stills or movie shooting. This is achieved by having a fixed, semi-transparent mirror that redirects a small amount of light onto the AF sensor while allowing the rest through onto the main imaging sensor. The A55 is built around a 16.2MP sensor while the A33 features a 14.2MP unit. Both feature 3.0" articulated LCDs, full HD video recording and ISO sensitivity up to 12,800, while the A55 also features built-in GPS. Priced at $749 and $649 respectively, the A55 will be available from October, while the A33 will hit the markets earlier, in September.

Jump to:

Press Release:


Light, compact a55 and a33: up to 10fps shooting with high-speed AF tracking and Full HD movie

a55 (SLT-A55V) (16.2 megapixels) and a33 (SLT-A33) (14.2 megapixels)Ultra-quick shooting up to 10fps with fast, precision phase detection AFFirst ever Quick AF HD Movie with smooth, continuous autofocus during video shootingEnhanced Quick AF Live View and 7.5 cm (3") free-angle LCD, plus Tru-Finder (Electronic Viewfinder) with 100% coverageAdvanced imaging functions including 3D Sweep Panorama, Auto HDR and multi-frame noise reduction

The a (pronounced Alpha) family of interchangeable lens cameras from Sony grows with the compact, ultra-responsive new a55 and a33.

Sony’s first-ever digital cameras to employ Translucent Mirror Technology showcase an innovative optical system that opens up dramatic new shooting possibilities. In contrast with conventional DSLR cameras, Translucent Mirror Technology uses a fixed, translucent mirror that ‘splits’ the optical pathway between the main image sensor and a separate phase-detection autofocus sensor.

High-resolution live image preview with rapid, accurate phase detection autofocus is thus available at all times – either via the angle-adjustable 7.5cm (3”) LCD or precision Tru-Finder (electronic viewfinder). This also ensures that even moving objects stay in sharp focus at all times, whether you’re shooting Full HD video or stills.

Translucent Mirror Technology overcomes other traditional limitations of DSLR models, with its simplified mechanical design shrinking camera size and complexity. This makes the a55 and a33 a compelling choice for casual photographers who want to capture spontaneous family moments and travel scenes with less to carry.

Full-resolution shooting at up to 10fps with precise AF tracking
Ground-breaking Translucent Mirror Technology allows high-speed shooting with the a55 at up to 10fps (a33: 7fps) in Continuous Priority AE mode. This represents the world’s fastest burst continuous AF shooting performance of any interchangeable lens camera with an APS-C size sensor.

A newly developed 15-point phase-detection autofocus system assures rapid, accurate AF tracking, keeping even moving subjects in sharp focus during continuous shooting. This enables the a55 and a33 to capture split-second action or fleeting nuances of expression with portrait subjects.

World’s first Quick AF Full HD movie shooting
The large sensor size Exmor™ APS HD CMOS Sensor inside both cameras lets photographers capture stunning, cinematic HD video footage with beautiful background defocus (bokeh) effects.

Thea55 and a33 also mark the debut of Quick AF Full HD movie shooting. Translucent Mirror Technology enables AVCHD 1080i video shooting with smooth, precise phase detection AF tracking of moving subjects. Real-time video image preview is now possible via the viewfinder – in contrast with DSLR cameras where the raised mirror prevents light from reaching the optical viewfinder during video shooting.

Effortless composition and image viewing
Thea55 and a33 enable exciting new possibilities for framing and viewing highest-quality video and still images. Already prized by step-up DSLR users and enthusiasts alike, Sony’s Quick AF Live View system is now more effective than ever. High-resolution live image preview is teamed with uncompromised phase detection AF performance – even with rapidly-moving subjects.

Tilting and swivelling freely (to maximum 270 degrees) for comfortable framing at any shooting angle, the bright 7.5 cm (3.0") (16:9) Xtra Fine LCD offers superb detail and contrast.

There’s also a precision electronic viewfinder with 1.15 million dot resolution that delivers a clear, bright image with 100% frame coverage. Adjustments to exposure, depth of field and colour can be previewed instantly, either in the viewfinder or on the LCD. Effortless composition is aided further by switchable grid line in the finder and LCD screen, plus a new digital levelling gauge.

Enriched creative possibilities
Thea55 and a33 are compatible with the full range of over 30 A-mount interchangeable lenses and offer SteadyShot INSIDE. This in-body image stabilisation system provides up to 4 exposure steps of anti-shake correction when shooting handheld.

Both cameras also feature 3D Sweep Panorama, allowing photographers to capture detail-packed extra-wide panoramas with a huge field of view. 3D panoramas can be enjoyed on any compatible 3D HD television. The SLT-A55 is also the first a camera by Sony with integrated GPS, allowing automatic geo-tagging of images and video clips.

The new-generation Exmor™ APS HD CMOS Sensor inside both cameras supports a sophisticated range of digital image compositing and processing functions. This gives even greater artistic possibilities to beginners and photo enthusiasts alike.

Auto HDR is now refined further compared with previous-generation a models. Data from a burst of three frames at bracketed exposure values is automatically combined, creating a single image with extended highlight and shadow detail Multi-frame Noise Reduction ‘stacks’ a high-speed burst of six frames, creating a single low-noise exposure that boosts effective sensitivity as high as ISO 25600.

The new cameras accept both Memory Stick PRO Duo™ (including Memory Stick PRO-HG Duo™) and SD (including both SDHC and SDXC formats) media (all sold separately).  Memory Stick PRO-HG Duo HX 30MB per second transfer rate offers the best performance during cameras' continuous shooting mode or when transferring the data to another media.

The new a55 and a33 Single Lens Translucent mirror cameras by Sony are available from September 2010.

Sensor• APS-C "Exmor" HD CMOS
• 16.7 million total pixels
• 16.2 million effective pixels
• RGB (Primary) color filter array• APS-C 'Exmor' APS HD CMOS
• 14.6 million total pixels
• 14.2 million effective pixels
• RGB (Primary) color filter arrayImage sizes (3:2)

4912 x 3264
3568 x 2368
2448 x 1624

4592 x 3056
3344 x 2224
2288 x 1520

Image sizes (Video)• AVCHD:
• 1920 x 1080, 59.94i (from 29.97fps sensor output)
• Motion JPEG:
• 1440 x 1080, 29.97p or 25p, depending on region
• 640 x 480, 29.94 fps Aspect ratios• 3:2
• 16:9
• variable (Sweep Panorama)File formats • RAW
• RAW + JPEG
• RAW + JPEG Fine
• JPEG (EXIF 2.2) - Standard
• JPEG (EXIF 2.2) - Fine File formats (Movie)• AVCHD
• QuickTime Motion JPEGLenses• Sony A-mount
• Konica-Minolta AF mountFocus modes• Auto Focus (15-point phase-detection AF system)
• Manual focus
• Face Detection
• AF Tracking Exposure modes • Program AE
• Aperture priority AE
• Shutter priority AE
• Manual
• Auto
• Auto +
• High-speed mode
• Sweep Panorama (2D/3D)
• SCN (see below)
• Flash offScene modes • Portrait
• Sports Action
• Macro
• Landscape
• Sunset
• Night view
• Hand held Twilight
• Night portrait
Scene modes (movie)• Portrait
• Sports Action
• Macro
• Landscape
• Sunset
• Night view
• Hand held Twilight
• Night portraitSensitivity• Auto
• Intelligent ISO
• ISO 100
• ISO 200
• ISO 400
• ISO 800
• ISO 1600
• ISO 3200
• ISO 6400
• ISO 12800
• ISO 25600 (multi-shot NR mode - JPEG only)Metering modes • 1200-zone multi-segment
• Center-Weighted
• Spot Shutter speed• 60 -1/4000 sec.
• Bulb (up to 4 mins)
• Flash X-sync 1/160 sec White balance • Auto
• Daylight
• Shade
• Cloudy
• Incandescent
• Fluorescent
• Flash
• Kelvin temp (2500 - 9909K, 100K steps) Image parameters• Creative Style (Standard, Vivid, Portrait, Landscape, Sunset, B/W)
• Saturation (5 levels)
• Contrast (5 levels)
• Saturation (5 levels)
• Sharpness (5 levels)Drive modes• Single
• Continuous Hi (6 fps)
• Continuous Lo (3 fps)Flash• Manual pop-up
• TTL auto / manual
• Guide no. 10 (ISO 100)
• Sync modes: Auto, Fill flash, Slow sync, Rear-curtain sync, Red-eye reduction on/off, Wireless
• Flash exposure compensation: Up to +/- 2EV in 1/3 EV stepsViewfinder• Electronic Viewfinder
• Color LCD Viewfinder
• Field of view 100%
• Eye point 19mm
• Magnification 1.1x
• Dioptre adjustment -4 to +4 dioptre
• 1,440,000 dots
• Field Sequential (RGB)LCD monitor• 3.0" TFT LCD monitor
• Multi-angle swing and tilt (180°swing, 180° swivel)*
• Low temperature Polycrystalline TFT LCD
• 921,600 dots
• Approx 100% frame coverage
• Auto / Manual (5 steps between -2 and +2) / Sunny Weather Connectivity• USB 2.0 (High Speed)
• HDMI type CPrint compliance • Exif Print
• Print Image Matching III
• DPOF setting StorageSD/SDHC/SDXC/MemoryStick Pro DuoPower• NP-FW50 Lithium-Ion rechargeable battery
• Supplied charger / AC adapter (sold separately)Dimensions124 x 92 x 85 mm (4.8 x 3.6 x 3.3 in)

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Save my shot - mountain Moon MayntzBirder (over)

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Annie Leibovitz (over)

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Tuesday, November 16, 2010

Snapshots are good photos (via)

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Timing Fireworks photography (via)

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Mushroom photography season (Earthbound light)

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Monday, November 15, 2010

Friday, October 22, 2010

Every Good Picture Starts With A Good Camera

Every good picture has its roots in a good lense and a good camera and by extension a good photographer. What does it take to take a good picture? Ultimately it takes the photographer understanding his camera. You must take the time to read the manual on your camera before starting to use it. Better would even be use to practice what you are learning from the manual. When you understand the manual adjustments you can make with your camera you will then make it sing. You can then start to turn your focus to the light and composition of the image you are trying to record. See the picture you want in your minds eye before you take your shot. With digital it is so easy to pull the trigger and hope because you can take many more exposures than with a film camera. Try to discipline your self to see as the camera sees and realize your eyes adjust to light much better that the camera. Take more than one shot of a scene or portrait and examine the picture right away. Where is it overexposing or has to much darkeness. Is it in focus or not? How do the people or scene look would an adjustment help. Then do it over several times to get it right. Portraiture is a blend of artistic endeavor and luck for the photographer.

Keep practicing just like the olympic atheletes you will get better and begin to feel comfortable again.

Good Luck in your next shoot.

Tony Shipman

Wednesday, October 13, 2010

Get Displayed On First Line Of Search Engines

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Saturday, October 9, 2010

Sony 24mm F2 SSM Carl Zeiss Distagon T*

Sony has released three prime lenses for its Alpha SLR system. First up is the eagerly-awaited Carl Zeiss Distagon T* 24mm F2 SSM, which we saw in prototype form at PMA. Designed as a fast wideangle for full frame, it also offers a classic 35mm-equivalent field of view on APS-C. Second we have the DT 35mm F1.8 SAM, a fast normal lens for APS-C. Finally this is joined in Sony's newly-christened 'Easy Choice' range of inexpensive primes by the 85mm F2.8 SAM, a compact 'portrait' telephoto that works on both APS-C and full frame cameras. All of these lenses can also be used on the NEX mirrorless cameras via the LA-EA1 adapter, although in manual focus mode only. The 24mm and 85mm lenses will start shipping from late September at retail prices of €1,250 and €250 respectively, followed by the 35mm which will be available from mid-October at a retail price of €200. With regards to the US price and availability of the three lenses, the company says, “Announcement for US market is not being made at this time, but will be made closer to the products’ market introduction.”

Jump to:

Press Release:


Sony is expanding its already strong line-up of over 30 A-mount lenses with new models that will appeal to seasoned photographers and those new to DSLR cameras alike

The Distagon T* 24mm F2 ZA SSM (SAL24F20Z) features the acclaimed Carl Zeiss Distagon design and rounds out the existing Planar (SAL85F14Z) and Sonnar (SAL135F18Z) models also developed in conjunction with Carl Zeiss. It is intended to appeal to experienced photographers looking for a large-aperture wide-angle lens of real distinction.The DT 35mm F1.8 SAM (SAL35F18) adds the important 35mm focal length to the ‘Easy Choice’ series. ‘Easy Choice’ is intended to provide great value, compact and lightweight lenses that are attractive to entry-level and advanced photographers alike. Each lens in the series is selected for a specific purpose, for example portraiture or macro. The 85mm F2.8 SAM (SAL85F28) is another ‘Easy Choice’ lens, this time offering the 85mm focal length considered the standard for portraiture because of the natural perspective it provides. True to type it is extremely compact and light, weighing just 175g.

The Distagon T* 24mm F2 SSM (SAL24F20Z)
The Distagon T* 24mm F2 SSM (SAL24F20Z) functions as a wide-angle 24mm lens on full-frame cameras with 35mm sensors, or as a 36mm equivalent lens ideal for general use on cameras with APS-C sensors. Jointly developed with Carl Zeiss, it features the highly-regarded Carl Zeiss Distagon retro-focus lens configuration designed for wide-angle lenses.

This lens is distinguished by its fast response focus and extremely quiet, very smooth operation thanks to its built-in SSM (Super Sonic wave Motor).

It offers a wide and therefore highly versatile focal range from 0.19m to infinity, and features a nine-blade circular aperture that along with the large F2 maximum aperture contributes to smooth, natural bokeh effects.

In keeping with traditional Carl Zeiss design, the all-metal lens barrel has been finished to a very high standard resulting in a visibly high-quality appearance.

The DT 35mm F1.8 SAM (SAL35F18)
Part of the ‘Easy Choice’ series, offering photographers at all levels great value, compact and lightweight lenses, the DT 35mm F1.8 SAM (SAL35F18) weighs just 170g. It can be added to a lens kit system and carried without noticeably increasing the weight of the bag.

With an approximately 50mm (35mm equivalent) focal length on an APS-C sensor, this lens is ideal for snapshots and portraits under a wide range of shooting conditions. The high-speed F1.8 maximum aperture is particularly advantageous for hand held shooting in low light.

At just 0.23 metres, the DT 35mm F1.8 SAM (SAL35F18) has the shortest minimum focus in its class, making it an excellent choice for dramatic close-ups too. Whatever the shot, the internal Smooth Autofocus Motor (SAM) drives the focussing group directly and ensures responsive and fluid autofocus operation.

The 85mm F2.8 SAM (SAL85F28)
This is the first full-frame lens in the ‘Easy Choice’ range, so its launch represents an important development of the line-up as a whole. The 85mm focal length is a standard for portraiture because of the natural perspective that it provides. On an APS-C sensor camera the 85mm F2.8 SAM (SAL85F28) functions as a 127.5mm (35mm equivalent) telephoto lens – and features a Sonnar-type optical design that is considered ideal for mid-range telephoto lenses.

The lens is sharp center to corner, and features smooth defocusing thanks to its large F2.8 maximum aperture and circular aperture design. At 0.6 metres, the minimum focusing distance is the shortest in its class, and SAM motor technology ensures smooth autofocus operation.

The quality optical and mechanical features of the lens mean it is suitable for serious photography and should more than satisfy intermediate to advanced users.

 Distagon T* 24mm F2 SSM
(SAL24F20Z)
Street price• TBC (US)
• £1100 (UK)
• € 1250 (EU)
• TBC (US)
• £ 175 (UK)
• € 200 (EU)• TBC (US)
• £ 220 (UK)
• € 250 (EU)Lens Construction• 9 elements/7 groups
• 2 ED glass elements
• 2 aspherical glass elementsSupplied accessories• Hood
• Case
• Front & Rear caps
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AF-S Nikkor 24-120mm f/4G ED VR

Nikon has announced the AF-S Nikkor 24-120mm f/4G ED VR, a general-purpose zoom for full frame cameras. This lens covers a useful wideangle to telephoto range with a fixed F4 maximum aperture and features Nikon's latest VR II stabilisation system. This promises shake-free hand-held shooting at shutter speeds four stops slower than would usually possible, with both 'Normal' and 'Active' modes. Also on the menu are Nano Crystal coating, a 9-bladed diaphragm, and a degree of environmental sealing. The lens will be available from 22nd September 2010 at a price of £1049.99 / €1099.

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Sales start date: 22nd September 2010
UK pricing: £1049.99

Nikon UK is pleased to announce the release of the AF-S NIKKOR 24-120mm f/4G ED VR, a brand new 5x zoom lens for FX format D-SLR photographers. The 24-120mm focal length continues to be a unique proposition in the NIKKOR lens range and the new version features a fixed f/4 aperture throughout the zoom range. It incorporates Nano Crystal coat and Nikon’s second generation VRII system.

Zurab Kiknadze, Product Manager Lenses, Accessories & Software, Nikon Europe says: “The AF-S NIKKOR 24-120mm f/4G ED VR lens offers excellent value and performance in a compact package for adventurous photographers everywhere. It is the second f/4 aperture VR zoom lens introduced this year that broadens the options for Nikon photographers.”

Fixed Flexibility
The AF-S NIKKOR 24-120mm f/4G ED VR covers a NIKKOR exclusive zoom range of 24mm to 120mm, ideal for events and travel photography. The fixed f/4 aperture ensures consistent exposure settings across the zoom range; whatever the subject, from expansive landscapes to isolating portraits, the AF-S NIKKOR 24-120mm f/4G ED VR does it with ease.

Hold Still
The AF-S NIKKOR 24-120mm f/4G ED VR is equipped with Nikon’s second generation Vibration Reduction system (VR II) that offers compensation for camera movement the equivalent to a shutter speed of approximately four stops faster and couples well with the f/4 fixed aperture under low light conditions. The system incorporates two modes: Normal for general handheld shooting and Active to compensate for the mechanical vibration frequencies caused by planes and moving vehicles.

Brilliant quality across the zoom range
The complex optical design uses Nano Crystal coat, two ED glass elements and no less than three aspherical lens elements to maintain bright, high contrast images under a wide variety of light conditions. Ghosting, flare and aberrations are minimised whilst the nine bladed diaphragm generates subtle bokeh effect in out of focus areas.

Smooth performer
The Silent Wave Motor (SWM) was specifically developed for the unique characteristics of this lens. It offers very discreet autofocus performance with instant Manual override possible in M/A mode. The zoom gearing and switch placement has been carefully designed for intuitive (blind) operation when looking through the viewfinder. The lens balances well with D-SLRs like the D700 and the barrel features a subtle indentation to assist grip when in use.

Built to move
The large zoom range is achieved in a very compact and tough construction, ideal for the adventure and travel photographer. Through extensive use of magnesium and Super Engineering Plastic components the lens is built to handle the knocks of everyday use, and rubber sealing around switches and lens mount mean moist or dusty conditions are not a problem.

The AF-S NIKKOR 24-120mm f/4G ED VR takes the ‘standard zoom’ concept to another level to meet the demands of today’s high resolution FX format D-SLRs while maintaining excellent price/performance ratio.  

The lens is supplied with a dedicated hood HB-53 and a soft pouch.

Lens construction • 17 elements in 13 groups
• 2 ED glass elements
• 3 aspherical lensesAngle of view (APS-C crop)84°-20° 20' (61°-13° 20' in Nikon DX format)Email Print Post comment News Discussion Share: Facebook Twitter Digg del.icio.us

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Sony Alpha DSLR-A580

Sony has announced the addition of the A580 and A560 to its consumer-level DSLR range. Both the 16.2MP A580 and 14.2MP A560 are based around the company's Exmor APS HD CMOS sensors and enhanced Bionz processors. Both cameras can record 1080p full HD movies and deliver 7 fps in continuous shooting mode. They also include Sony's two-mode live view system with a 15-point phase-detection AF or a Manual Focus Check mode. Other features shared by both cameras include 3.0" fold-out LCDs, an enhanced Auto HDR mode, sensitivity of up to ISO 25,600 and 3D Sweep Panorama mode. Priced at €900 and €800 respectively, the A580 will be available from October 2010, while and the A560 will arrive in the first quarter of 2011.

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Press Release:


Fully-featured a580 with newly developed 16.2M Exmor APS HD CMOS censor,up to 7fps shooting, and Auto HDR

DSLR-A580 (16.2 megapixels) and DSLR-A560 (14.2 megapixels) Fast, responsive shooting up to 7fps New 15-point phase-detection autofocus system for rapid, accurate AF tracking Full HD Movie shooting Advanced imaging functions including 3D Sweep Panorama, Auto HDR and Multi Frame Noise Reduction Appealing to photographers ready to explore sophisticated new creative possibilities, the DSLR-A580 and DSLR-A560 from Sony offer unparalleled levels of imaging refinement.

At the heart of both is a new-generation Exmor™ APS HD CMOS Sensor processor. Together with the latest iteration of Sony’s powerful BIONZ imaging processor, it supports high-speed continuous shooting plus a sophisticated range of digital image compositing and processing functions. This gives even greater artistic possibilities to beginners and photo enthusiasts alike.

The A580 and A560 can freeze fleeting photo opportunities at up to 7 fps in Speed Priority Continuous Advance mode. What’s more, Sony’s popular Quick AF Live View system is now more effective than ever. The benefits of live image preview are maximised by a newly developed 15-point phase-detection autofocus system that keeps even moving subjects in pin-sharp focus.

The DSLR-A580 and A560 are compatible with the full a range of over 30 A-mount interchangeable lenses of Sony and Carl Zeiss and offer SteadyShot INSIDE. This in-body sensor shift image stabilisation system provides up to 4 exposure steps of anti-shake correction when shooting handheld.

Full HD movie shooting
Both the A580 and A560 offer Full HD video shooting. Just touch the dedicated Movie button and record detail-packed HD videos and crisp stereo sound in a choice of AVCHD 1080i or web-friendly MP4 formats. Thanks to the large, high-resolution Exmor™ APS HD CMOS Sensor, it’s possible to capture stunning HD movie clips with beautiful background defocus (‘bokeh’) effects.

Effortless composition and image viewing
The A580 and A560 enable exciting new possibilities for framing and viewing the highest-quality still images and video.

Articulating up or down for comfortable framing in any shooting position, the bright 7.5 cm (3.0") Xtra Fine LCD offers a bright, high contrast view with superb detail and colours.

As an additional refinement, new Focus Check Live View mode simplifies critical assessment of the finest image details. A real-time ‘feed’ from the main sensor can be viewed on the LCD monitor, with switchable magnification allowing close-up confirmation of delicate manual focus adjustments. Contrast AF method is selectable in focus check Live View mode.

DSLR enthusiasts will also welcome the bright, high contrast optical viewfinder with 95% frame coverage that provides a supremely detailed view while composing still images.  Depth of field preview is now available at the touch of a button.

Both cameras feature 3D Sweep Panorama, allowing photographers to capture detail-packed extra-wide panoramas with a huge field of view. 3D panoramas can be enjoyed on any compatible 3D HD television.

Auto HDR is now refined further compared with previous-generation a models. Data from a burst of three frames at bracketed exposure values is automatically combined, creating a single image with extended highlight and shadow detail. Multi-frame Noise Reduction ‘stacks’ a high-speed burst of six frames, creating a single low-noise exposure that boosts effective sensitivity as high as ISO 25600.

The new cameras accept both Memory Stick PRO Duo™ (including Memory Stick PRO-HG Duo™) and SD (including both SDHC and SDXC formats) media (all sold separately).  Memory Stick PRO-HG Duo HX 30MB per second transfer rate offers the best performance during cameras' continuous shooting mode or when transferring the data to another media.

Sensor• 23.4 x 15.6 mm APS-C Type CMOS Exmor Sensor
• RGB Color Filter Array
• Built-in fixed low-pass filter
• 16.7 million total pixels
• 16.2 million effective pixels• 23.4 x 15.6 mm APS-C Type CMOS Exmor Sensor
• RGB Color Filter Array
• Built-in fixed low-pass filter
• 14.6 million total pixels
• 14.2 million effective pixelsImage sizes3:2
• 4912 x 3264 (L)
• 3568 x 2368 (M)
• 2448x1624 (S)
16:9
• 4592 x 2576 (L)
• 3344 x 1872 (M)
• 2288 x 1280 (S)
3:2
• 4592 x 3056 (L)
• 3344 x 2224 (M)
• 2288 x 1520 (S)
16:9
• 4592 x 2576 (L)
• 3344 x 1872 (M)
• 2288 x 1280 (S)Image sizes (Video)• AVCHD:
• 1920 x 1080, 59.94i (from 29.97fps sensor output)
• Motion JPEG:
• 1440 x 1080, 29.97p or 25p, depending on region
• 640 x 480, 29.94 fps File qualities / formats• RAW (.ARW)
• RAW + JPEG Fine
• RAW + JPEG Standard
• JPEG Fine
• JPEG StandardFile formats (Movie)• AVCHD
• QuickTime Motion JPEGDust reduction • Charge protection coating on low-pass filter
• Sensor-shift dust reduction mechanism Lenses• Sony Alpha lenses
(also compatible with Minolta and Konica Minolta AF lenses) SteadyShot INSIDE• CMOS -Shift 'SteadyShot INSIDE' systemAuto Focus• TTL 15-point phase detection AF system with 3 cross sensors (11-point with optical viewfinder)Focus Modes• Single-shot AF
• Automatic AF
• Continuous AFShooting modes • Programmed AE (Auto, Flash off, P)
• Aperture priority AE
• Shutter priority AE
• Manual
• Scene Selection
Sensitivity• ISO 100 - 12800
• Extended: ISO 25600 in Multi-Frame NR ModeMetering modes• Multi-segment
• Center-weighted
• SpotMetering• Live View : 1200-zone evaluative
• Viewfinder : 40-segment honeycomb pattern Exposure compen.• -2.0 to +2.0 EV
• 0.3 EV stepsShutterElectronically-controlled, vertical-traverse, focal-plane ShutterWhite balance• Auto
• Daylight
• Shade
• Cloudy
• Incandescent
• Fluorescent
• Flash
• Color temperature/filter (2500 - 9900 K)
• Manual (Custom)White balance bracketing • 3 exposures
• Hi / Lo level selectableColor modes • Standard
• Vivid
• Portrait
• Landscape
• Sunset
• B&WViewfinder• Eye-level fixed optical glass pentamirror
• Spherical Acute Matte focusing screen
• Magnification approx. 0.80x
• 95% frame coverage
Live view Quick AF Live View (pentamirror tilt system)
Focus Check Live View• Focus system TTL phase detection system
• Contrast AF selectable
• Display Real-time image adjustment display (reflects exposure compensation, white balance, Sunset / B&W of Creative Style )
LCD monitor• 3.0 TFT Xtra Fine LCD
• 921,600 dotsFlash• Built-in pop-up flash (manual release)
• Metering: ADI, Pre-flash TTL, Manual flash control
• Guide number 12 (ISO 100/m)
• Angle of coverage 18 mm (35 mm equiv.)
• Flash sync 1/160 secFlash modes • Off
• Auto
• Fill Flash
• Rear Sync
• Slow sync
• Wireless/High Speed Sync. Flash Bracketing 3 exposures in 0.3 and 0.7 EV stepsFlash compensation-2.0 to +2.0 EV in 0.3 EV steps Continuous
shooting• Up to 7 fps in Speed Priority mode (AF/AE fixed at first frame)
• Up to 5 fps with optical viewfinder
• Up to 3 fps in Quick AF Live View mode Connectivity• USB 2.0 Hi-Speed
• HDMI mini connector (Type C),
• DC-IN
• Remote terminalStorage• SD/ SDHC/ SDXC
• Memory Stick Pro Duo / Pro HG Duo
• Supports FAT12 / FAT16 / FAT32 Dimensions 137 x 104 x 84 mm (5.5 x 4.2 x 3.9 in)Email Print Post comment News Discussion Share: Facebook Twitter Digg del.icio.us

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Friday, October 8, 2010

Canon EOS 60D

Canon has unveiled the EOS 60D mid-level DSLR, replacing the EOS 50D. However, following the launch of the EOS 7D, the 60D has been repositioned in the market, so isn't a simple upgrade to its predecessor. Instead the 60D is a smaller camera featuring an articulated screen and plastic body shell and utilizing SD memory cards. It combines the 18MP CMOS sensor and 1040k dot 3.0" LCD from the EOS 550D (Rebel T2i) with the AF system from the 50D. Meanwhile it gains the 7D's HD movie capability. We've had a chance to use a pre-production 60D so have prepared a hands-on preview, including sample images and movies.

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Press Release:

London, UK, 26th August 2010 - Canon today announces the latest addition to its world-famous EOS series of Digital SLR (DSLR) cameras – the new EOS 60D. Replacing the EOS 50D, the EOS 60D is designed for photographers who want to take their skills to the next level, offering high performance, a series of creative features, a Vari-angle LCD screen and enhanced ergonomics – empowering photography enthusiasts to capture outstanding stills and Full High Definition (HD) video for unique, creative results.

High speed, high resolution

With an 18 Megapixel APS-C sensor, the EOS 60D offers high levels of detail and a magnification of 1.6x the focal length of the lens to capture poster-size images in a variety of aspect ratios*1. Canon’s powerful DIGIC 4 technology rapidly processes image information captured from the CMOS sensor’s four-channel output, providing outstanding colour reproduction, as well as high-speed shooting at 5.3fps in bursts of 58 full-resolution JPEGs.

A standard ISO range of 100-6400 is extendable to 12800, providing smooth images with minimal noise in low light conditions. A 9-point, all cross-type autofocus (AF) system also provides swift and accurate focusing, with an extra-sensitive centre point for lenses faster than f/2.8, allowing photographers to artistically employ a shallow depth of field during portraiture or for more atmospheric shooting.

The EOS 60D features Canon’s iFCL metering system, first introduced with the acclaimed EOS 7D, with a 63-zone Dual-Layer sensor.  Information on subject location is gathered from the Auto Focus system, and is combined with colour and luminance readings for consistent accurate exposures whatever the situation. The Integrated Speedlite transmitter also provides in-camera control of multiple EX flash units for more creative lighting.

Shoot from all angles
A new 7.7cm (3.0”) Vari-angle wide LCD monitor features a 3:2 aspect ratio and a 1,040k dot resolution, providing added flexibility and allowing photographers to view their images in incredible detail. The Vari-angle wide LCD helps frame shots from difficult angles, and can be positioned with Live View enabled to achieve the desired composition if shooting isn’t possible using the viewfinder. The ability to capture wildlife portraits, overhead shots or ground-level photography is instantly enhanced, and the surface of the screen features an anti-reflective, water-repellent coating to protect the screen allows easy viewing in bright light and from a variety of angles.

Empowering creativity
A new Basic + function makes it easy for photographers to add their own creative touch to images without worrying about changing settings. Photographers can add ambiance to a scene by shooting according to lighting and scene type, with Portrait, Landscape, Close-Up, Sport, Night Snapshot or Creative AUTO modes all available. Different effects can be achieved by shooting with Basic + enhancements such as Daylight, Cloudy or Sunset or pre-set Picture Styles including Vivid, Soft, Warm or Monochrome.

Designed to provide power for those who wish to extend their creative vision, the EOS 60D features a host of new functions that help capture better images and in-camera effects to add an extra dimension. The powerful DIGIC 4 processor supports in-camera RAW image processing, allowing photographers to edit settings such as brightness, contrast, white balance or correct distortion or chromatic aberration. The edited image can then be resaved as a JPEG, ready to be printed or uploaded to a PC or the web.

For photographers who want to add post-production effects to their images without the need for expensive software, the EOS 60D also features a range of new creative filters that can be applied in-camera. Filters including Grainy B/W, Soft Focus, Toy Camera Effect and Miniature Effect provide images with a different feel, allowing photographers to create a themed collection - using Grainy B/W to give images a reportage style, for example – or easily smooth skin tone in portraits with Soft Focus.

EOS Movies: Full HD video with complete control
Offering photographers the freedom to go beyond stills, the EOS 60D captures 1920x1080p HD video with a variety of user-selectable frame rates, including 30, 25 and 24fps, as well as 720p video at 60 and 50fps. Movie Crop mode is also available, recording with the central 640x480 pixel area of the sensor to create an effective magnification of approximately seven times the focal length of the lens. 

Full manual control in Movie mode allows photographers to employ their own exposure and focus settings and take advantage of the effects achieved from Canon’s wide range of EF lenses. An external stereo microphone terminal and the ability to adjust sound recording level ensures the audio track recorded matches the visual quality of the video, capturing broadcast-quality sound.

For those who want to share images with friends and family, an integrated HDMI port is compatible with Consumer Electronics Control (HDMI-CEC), allowing video and images to be viewed on any compatible HD-ready TV and controlled via the TV remote.

Designed for flexibility
The EOS 60D features a completely redesigned body, combining an ergonomically enhanced, curved shape with a new button layout to make it quick and comfortable for photographers to change settings. Frequently used camera controls are grouped together for easy access, while the Quick Control Dial, Multi-controller and SET button have all been merged into one Multi Control Dial, enabling photographers to operate menus and enter settings quickly using their thumb. The mode dial also features a lock button, preventing unintentional changes to settings mid-shoot.

A dedicated Quick Control access button allows photographers to instantly reach the most common shooting settings and playback controls. Customising the functions of a number of buttons is also possible, allowing photographers to tailor the camera to suit their individual needs. To help achieve landscapes with perfectly level horizons, a horizontal Electronic Level can be displayed in the viewfinder or in Live View to assist composition and remove any potential need for post-production correction.

The EOS 60D is one of the latest Canon models to support high-capacity SDXC memory cards, providing up to 2TB of available space, allowing photographers to keep shooting HD video and full resolution RAW and JPEG stills without changing cards. For better management of larger image libraries on the camera, EOS 60D photographers can add a rating of 1 to 5 to their favourite images, allowing them to be easily located and viewed on-screen. Once transferred from the camera to a PC, the tags can also be viewed using a number of image editing and management programs, including Canon’s DPP software.

Share the moment
For photographers who want to transfer content wirelessly, the EOS 60D includes Eye-Fi connected functions*2. The EOS 60D features a dedicated Eye-Fi section in the User Interface allowing WiFi functionality to be turned off when not required to save battery life
EOS 60D features at a glance:

18 MP APS-C CMOS sensorAdvanced creative features with Basic +Vari-angle 7.7cm (3.0”) 3:2 ratio LCD Full HD movies with manual controlDIGIC 4ISO 100-6400, H:128005.3fps shooting for up to 58 JPEGs9-point cross type AF SystemiFCL metering with 63-zone Dual-layer SensorIntegrated Speedlite transmitterIn-camera RAW processing

*1 1:1, 16:9, 4:3 in addition to the standard 3:2 dimension
*2 This product is not guaranteed to support Eye-Fi card functions (including wireless transfer). In case of an issue with an Eye-Fi card, please check with the card manufacturer. Also note that approval is required to use Eye-Fi cards in many countries or regions. Without approval, use of the card is not permitted. If it is unclear whether the card has been approved for use in the area, please check with the card manufacturer


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AF-S DX Nikkor 55-300mm f/4.5-5.6G ED VR

Nikon has launched an extended-range telephoto zoom for DX users: the AF-S DX Nikkor 55-300mm f/4.5-5.6G ED VR. Offering an 85-450mm-equivalent range and VR II image stabilisation technology, it's designed as an accompaniment to the 18-55mm kit lens. It includes a Silent Wave motor for quiet focusing, and will be available from 2nd September 2010 at a price of £369.99 / €379.

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Sales start date: 2nd September 2010
UK Pricing: £369.99

Nikon UK today announces a new super telephoto zoom lens – the AF-S DX NIKKOR 55-300mm f/4.5-5.6G ED VR. With a focal length ranging from 55mm to 300mm (equivalent to 82.5mm to 450mm on DX format D-SLRs) it enables the user to really get up close and personal with distant subjects. 

Zurab Kiknadze, Product Manager Lenses, Accessories & Software, Nikon Europe BV, says: “The AF-S DX NIKKOR 55-300mm f/4.5-5.6G ED VR is a really useful and economical second lens alongside today’s standard 18-55mm kit lenses, enabling coverage of all subjects both near and far. The compact dimensions and lightweight construction make it an ideal choice for the compact D-SLR customer.”

Go further for less
The 5.5 times zoom ratio offers flexibility by drastically extending the telephoto reach. With 300mm (450mm equivalent on DX format cameras when compared to 35mm format) at the telephoto end, this lens leads the way in affordable and portable telephoto photography, ideal for family sport events and holidays. 

Hold Steady
Incorporating the latest VR II (second generation Vibration Reduction) technology, the lens delivers sharper images when the camera is hand-held. This is especially useful when using slower shutter speeds at longer focal lengths, or when shooting in low light.

Keep Quiet
The AF-S DX NIKKOR 55-300mm f/4.5-5.6G ED VR incorporates Nikon’s SWM (Silent Wave Motor). This ensures that the autofocus is fast and quiet so you don’t miss that crucial moment, nor draw attention to yourself in more private settings.

The AF-S DX NIKKOR 55-300mm f/4.5-5.6G ED VR incorporates high quality ED and new HRI (High Refractive Index) glass elements to help deliver crisp images, even under harsh lighting conditions. The lens has a weather sealed mount, which prevents moisture and dust infiltrating the lens or camera sensor.

Ready for adventure, the AF-S DX NIKKOR 55-300mm f/4.5-5.6G ED VR is an affordable and compact lens that will be a welcome addition to any camera bag. The lens is supplied with HB-57 lens hood to prevent flare in strong light and a lens pouch for safe storage and transportation. The lens will also be available in zoom kits with Nikon’s popular D-SLR range.

Lens construction • 17 elements in 11 groups
• 2 ED glass elements
• 1 HRI lens elementDimensions76.5mm x 123mm (3.4 in x 3.3 in)Email Print Post comment News Discussion Share: Facebook Twitter Digg del.icio.us

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Canon EF 300mm f2.8L IS II USM

Canon has introduced updated versions of two of its professional telephoto lenses, in the shape of the EF 300mm f/2.8 L IS II USM and the EF 400mm f/2.8L IS II USM. Both feature completely new optical designs, along with lighter weight construction employing magnesium alloy and titanium. Sub Wavelength Structure coatings are employed to minimize flare, plus water-repellant Fluorine coatings on the front and rear elements. A new IS mode has been added that activates stabilization only during exposure, alongside a 'Power Focus' mode for video shooting. The upgrades are rounded off by the addition of repositionable AF stop buttons and a choice of tripod mounts.

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Press Release:

London, UK, 26 August 2010 – Canon today enhances its premium L-series with the launch of the new EF 300mm f/2.8L IS II USM and EF 400mm f/2.8L IS II USM – two high quality super-telephoto lenses designed to meet the demands of professional photographers. Offering optical excellence and consistently high performance, the new lenses combine super-telephoto focal lengths, fast aperture and outstanding image quality, providing photographers with reliability and exceptional results.

Succeeding the well-respected EF 300mm f/2.8L IS USM and the EF 400mm f/2.8L IS USM, both new models will appeal to nature, wildlife and sports photographers. Each features a completely redesigned optical system and the latest iteration of Canon’s original Image Stabilizer (IS) technology, while an all-new magnesium alloy construction and titanium components ensure the designs are both robust and lightweight. The EF 400mm f/2.8L IS II USM is the lightest lens in its class*, offering unrivalled mobility due to an incredible 28% reduction in weight (1.5KG) compared to its predecessor, while the EF 300mm f/2.8L IS II USM offers photographers an 8% weight reduction.

Ultra high performance optics
Manufactured using the very best optical components, the new EF 300mm f/2.8L IS II USM and EF 400mm f/2.8L IS II USM mark a significant step forward for Canon’s L-series, which is already renowned for its outstanding quality. Both lenses feature 16 elements in 12 different groups, using high performance fluorite lens elements that correct chromatic aberration to deliver high resolution and high contrast shots of the best possible quality – allowing photographers to capture images rich with edge-to-edge detail.

The optical elements also feature Canon’s latest Super Spectra Coatings, optimised for both the position and type of each lens element. A SubWavelength Structure Coating (SWC), which uses microscopic cone-shaped structures smaller than a wavelength of visible light, reduces ghosting caused by light bouncing back from the imaging sensor. Fluorine coating is also used on the front and rear elements of the lenses, repelling dust and dirt for clearer shots. The coating is also water repellent, keeping the front element free of water marks and smearing by ensuring water runs off the lens quickly.

New, improved IS and rapid AF
Both models feature Canon’s new Image Stabilizer system, providing outstanding results when the photographer is moving around and when capturing moving subjects. A 4-stop advantage offers greater image quality during handheld shooting, allowing users to shoot at speeds up for four times slower than normally required with minimal additional blur. Operation of IS mode 2 has been improved when shooting panning motion and a new third IS mode has been added, assisting users when quickly switching between subjects by activating the IS unit only during exposure.

Both lenses offer a constant f/2.8 aperture, allowing photographers to shoot at faster shutter speeds and capture clear shots of fast-moving subjects. The wide aperture also allows users to creatively isolate their subjects from the background, with a nine-blade circular iris creating dramatic and striking background blur that instantly adds beauty to an image.

Fast, quiet Auto Focusing (AF) is provided by a ring-type USM, new dedicated AF algorithms and a new high-speed CPU, which offer quick and accurate focusing during shooting. Photographers can also utilise full-time manual focusing functionality, which enables the adjustment and fine-tuning of focus even when the AF system is activated, providing even greater control over image capture. A new Power Focus mode aids focusing during video shooting, allowing the photographer to smoothly adjust focus during filming by twisting the focus recall ring.

All-new premium L-series design
Developed in line with Canon’s philosophy for the elite L-series, both the
EF 300mm f/2.8L IS II USM and EF 400mm f/2.8L IS II USM boast a refined design that reflects their status as market-leading, benchmark lenses. Both feature a new design layout, with carefully-positioned controls that improve operation in everyday use. The AF stop buttons are now location-adjustable, improving ergonomics by allowing users to custom-select the position of the lens grip, where the AF stop buttons are located.

A choice of dedicated tripod mounts provides added flexibility, allowing photographers to use a long or short foot suitable for monopods or tripods. A new rotational mechanism for the tripod collar also provides a smoother movement when turning the lens from portrait to landscape orientation. In addition, both models feature a new high quality exterior texture, while a new shade of white casing indicates the new advanced design and higher precision that each lens offers. A new Kensington-type wire security lock has also been added, allowing photographers to keep their lenses secure during location-based shoots.
A robust weatherproof design makes both lenses suitable for use in extreme conditions when paired with a weatherproof EOS body.

Complementary, high quality lens extenders
Both new models are compatible with the new set of Canon lens extenders designed for L-series super-telephoto lenses – the Extender EF 1.4x III and Extender EF 2x III.  Manufactured to complement the new optical systems featured in both lenses, the Extender EF 1.4x III and Extender EF2x III will allow professionals to instantly extend the focal length of either lens by 1.4x or 2x respectively – enabling the capture of high quality, detailed images of subjects that may typically be beyond reach.

* As of August 2010

Supplied accessories• Front and rear caps
• ET-155(WII) Hood
• 400C Hard Case• Front and rear caps
• ET-120(WII) Hood
• 300B CaseDimensions163 mm diameter x 343 mm length128 mm diameter x 248 mm length

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AF-S Nikkor 28-300mm f/3.5-5.6G ED VR

Nikon's salvo of lens releases is rounded off by the AF-S Nikkor 28-300mm f/3.5-5.6G ED VR. Designed to provide FX format users with an equivalent of the company's popular 18-200mm for DX, this superzoom includes two-mode image stabilisation to the latest VR II specification, a close focus distance of 50cm and a zoom lock switch. It will be available from 2nd September for £869.99 / €899.

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Sales start date: 2nd September 2010
UK pricing:£869.99

Nikon UK is pleased to announce the introduction of the AF-S NIKKOR 28-300mm f/3.5-5.6G ED VR with a totally new zoom range to the NIKKOR line-up. Featuring almost 11x zoom ratio from 28mm to 300mm this versatile optic brings new levels of flexibility to FX format DSLR users. 

Zurab Kiknadze, Product Manager Lenses, Accessories and Software, Nikon Europe says: “We are really excited about this new, all-round lens in the NIKKOR range. The DX format 18-200mm proved to be a massive success, and we are happy to introduce FX format customers to the same advantages this lens can offer.”

Extended 10.7x Zoom Ratio
The AF-S NIKKOR 28-300mm f/3.5-5.6G ED VR’s huge 10.7 zoom ratio makes it the ultimate ‘walkabout’ lens. With an impressive 28-300mm focal range it is set to become a very popular all-rounder for those seeking ultimate coverage from a single lens, useful when travelling light, or working from a fixed position. The flexible aperture range keeps the lens size and weight to a minimum while still providing attractive depth of field effects at the telephoto end.

Advanced Vibration Reduction system
Nikon’s exclusive second generation Vibration Reduction system (VRII) enables steady hand-held shooting at all focal lengths with two modes: Normal and Active. The optical VR system also stabilises the viewfinder image, enabling more accurate autofocus acquisition and framing, especially at the longer focal lengths of the 300mm zoom range, where lighter weight lenses can increase the risk of unwanted camera shake.

State of the art optical construction
The AF-S NIKKOR 28-300mm f/3.5-5.6G ED VR features two ED and three aspherical elements to effectively manage the risk of aberrations that can occur with super-zoom lenses. The lens can focus as close as 50cm at all focal lengths for added flexibility. 

Fast Handling
The Silent Wave Motor (SWM) was designed specifically to deliver quiet and accurate AF operation across the extended zoom range with intuitive manual override. A zoom lock switch prevents ‘zoom creep’ (the lens moving under its own weight when tilted during transportation) and maintains compact dimensions when not in use. The lens construction features extensive use of magnesium for durability and provides well-balanced handling.  

Complete with dedicated HB-50 hood and soft pouch, the AF-S NIKKOR 28-300mm f/3.5-5.6G ED VR weighs in at an economical 800g.

Lens construction • 19 elements in 14 groups
• 2 ED glass elements
• 3 aspherical lensesAngle of view (APS-C crop)75°-8°10' (53°-5°20' in Nikon DX format)Email Print Post comment News Discussion Share: Facebook Twitter Digg del.icio.us

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Thursday, October 7, 2010

Pentax K-r

Pre-Photokina 2010: Pentax has announced the K-r, its latest mid-level DSLR. Initially sitting above the K-x in the range it offers more angular, K-7-esque styling. It offers 6 fps continuous shooting and HD movie recording and regains AF-point illumination in the viewfinder. It also features a high-res 920k dot (VGA) LCD display and the ability to shoot at up to ISO 25600. Unusually for a Pentax at this level it uses an rechargeable Lithium Ion battery pack but can be used with AAs via an optional adapter. We've had a chance to get to grips with the K-r and have prepared a brief hands-on article discussing its features and additions.

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Press Release:

PENTAX Imaging Systems announces the launch of its latest digital SLR camera – the K-r.  Encased in a compact, lightweight body, this new model combines simple, user-friendly functions with a wide array of advanced features, designed to enhance the fun and excitement of digital SLR photography.

Developed to be a mid-range model targeted at digital SLR novices and family users, the PENTAX K-r offers an assortment of features and functions that make it easy for everyone to effortlessly capture the high-quality images people expect of a digital SLR camera.

In addition it comes equipped with a host of handy tools that help create more personalised, creative images, including:

high-quality image reproduction with approximately 12.4 effective megapixels HDTV-proportion movie recording high-speed continuous shooting at approximately six images per second super-high-sensitivity shooting at ISO 25600 (via a custom function) a large, easy-to-view 3.0-inch high-resolution colour LCD monitor

The K-r boasts outstanding performance and versatility, almost the equivalent of more advanced digital SLR cameras, while allowing the photographer to easily deal with different photographic requirements.  Its dual-power-source design offers a choice between the standard rechargeable lithium-ion battery and a set of AA-size batteries. 

It is also compatible with the IrSimple™ high-speed infrared data transmission system for wireless data transfer to IrSimple-compatible devices, and for swift image data exchange. 

What are its key functions?

High-quality, true-to-life image reproduction: The K-r incorporates a new-generation CMOS image sensor with approximately 12.4 effective megapixels. It also features the high-performance PRIME (PENTAX Real Image Engine) II imaging engine to ensure accurate and high-speed data processing equal to that of upper-level models Compact, lightweight body: Despite the incorporation of the large 23.6mm x 15.8mm image sensor, the K-r sports a compact, lightweight body, thanks to a trim, stainless-steel chassis, a downsized in-body shake reduction mechanism, and state-of-the-art, high-density packaging technologies that ensure space-efficient positioning and layout of the camera components High-speed continuous shooting at approximately six images per second: The shooting mode records as many as 25 images (in JPEG recording format) in a single sequence at a maximum speed of approximately six images per second — the fastest of all entry-class models High-precision AF system: The K-r’s high-precision, wide-frame SAFOX IX autofocus system features 11 sensor points (with nine cross-type sensors positioned in the middle) for pin sharp focusing. Spot beam is also available for difficult lighting situations. Bright, clear optical viewfinder: Thanks to the combination of PENTAX-original finder optics and the renowned Natural-Bright-Matte focusing screen, the K-r’s viewfinder offers a bright, clear subject image at 0.85X magnification and a 96% field of view Large, easy-to-view 3.0-inch LCD monitor with wide-view design and approximately 921,000 dots: High-resolution colour LCD monitor with approximately 921,000 dots.  Its wide-view design assures a clear view of the monitor image from approximately 170 degrees horizontally and vertically Versatile dual-power-source design: Powered by a standard rechargeable lithium-ion battery or four AA-size batteries using optional AA Battery Holder D-BH109 PENTAX-original SR mechanism for sharp, blur-free images: Features the PENTAX-developed SR (Shake Reduction) mechanism, producing sharp, blur-free images even under demanding conditions prone to camera shake; compatible with the full range of Pentax lenses Innovative image-processing functions to produce distinctive photographic expressions: Custom image function for distinctive finishing touches/ Versatile digital filter function/ Cross process mode with three options/ Upgraded HDR (High Dynamic Range) function High-speed infrared data transmission system: The first PENTAX digital SLR camera equipped with the IrSimple™ high-speed infrared data transmission system High-quality, HDTV-proportion movie recording at 1280 x 720 pixels and at 25 frames per second: True-to-life movie clips in 16:9 high-definition TV proportions (1280 x 720 pixels) at a frame rate of 25 frames per second

In addition it has...

DR (Dust Removal) mechanism, to shake dust off the CMOS image sensor User-friendly layout of essential control buttons and levers, all positioned on the camera’s grip side for quick, effortless access by the photographer Auto Picture mode, for effortless, automatic selection of the most appropriate shooting mode, even during Live View shooting Eleven scene modes, including a new Night Scene HDR mode Versatile white balance control, featuring a new CTE mode designed to emphasise the dominant colour components of the captured images Automatic compensation of distortion and lateral chromatic aberration (available only with DA-,DFA- and FA Limited-series lenses) PENTAX Digital Camera Utility 4 software package, with RAW-data processing and browser applications

The PENTAX K-r will be available from October 2010
Recommended Retail Price:

K-r + 18-55mm DAL - £599.99K-r + 18-55mm DAL + 50-200mm DAL - £699.99PriceUS
• $799.95 (body only)
• $849.95 (with 18-55mm DAL)
• $899.95(with 18-55mm DAL + 50-200mm DAL)
• $999.95 (with 18-55mm DAL + 55-300mm)
UK
• £599.99 (with 18-55mm DAL)
• £699.99 (with 18-55mm DAL + 50-200mm DAL)Body materialPlastic on stainless steel chassis Sensor• 23.6 x 15.8 mm CMOS sensor
• Primary color filter
• 12.4 million effective pixelsDust reduction• Image sensor moving mechanism and SP coatingImage sizes• [12M] 4288 x 2848 pixels
• [10M] 3936 x 2624 pixels
• [6M] 3072 x 2048 pixels
• [2M] 1728 x 1152 pixelsImage formats • JPEG (Conforms to Exif 2.21), (Best, Better, Good)
• Compressed RAW ( PEF )
• Non-compressed RAW ( DNG ) LensesPENTAX K, KA, KAF, KAF2 and KAF3 mount lensesFocusing• 11-point wide autofocus system, 9 cross-type (SAFOX IX)
• TTL Phase matching
• 11-point or 5-point Auto, Select or Center Focus modes• AF-Auto
• AF-Single
• AF-Continuous
• Manual focusShooting modes • Program AE
• Sensitivity-Priority AE
• Shutter-Priority AE
• Aperture-Priority AE
• Metered Manual
• AutoPicture mode
• Portrait mode
• Landcscape
• Macro
• Moving object
• Night scene portrait
• Flash off Picture modes • Bright
• Natural
• Portrait
• Landscape
• Vibrant
• Monochrome
• Reversal Film
• Bleach BypassScene modes• Night Scene
• Surf & Snow
• Food
• Sunset
• Kids
• Pet
• Candlelight
• Museum
• Stage Lighting
• Night Snap
• Night scene HDRMetering modes• Multi-segment metering
• Center-weighted metering
• Spot meteringMetering• TTL open-aperture 16-segment metering
• Exposure range: EV 1-21.5(Standard Output Sensitivity 200 50mm F1.4)AE LockCan be allocated to AF/AE-L button by Menu.AE Bracketing• ±0.5EV to ±1.5EV (1/2 EV steps)
• ±0.3EV to ±1.0EV (1/3 EV steps)
• ±0.7EV to ± 1.0EV (1/3 EV steps)Exposure compen.±3 EV (1/2 EV or 1/3 EV steps)Sensitivity• Auto (selectable range)
• Manual : 200-12800
• Bulb Mode: up to ISO 1600
• Expandable ISO 100 - 25600
• 1EV, 1/2EV or 1/3EV stepsShutterElectronically controlled vertical-run focal plane shutter
White balance• Auto
• Daylight
• Shade
• Cloudy
• Tungsten Light
• Fluorescent Light (W, D, N, L)
• Flash
• CTE
• Manual setting with WB fine adjustmentMovie mode• AVi (Motion JPEG)
• 1280 x 720, 25fps
• 640 x 480, 30/25fps
• Three quality levels
• Built-in mono mic
• Movie processing including Custom Image, Cross Process and selected Digital Filters
Viewfinder• penta-mirror type
• Natural-Bright-Matte II focusing screen
• Field of view approx. 96%
• Magnification approx. 0.85X (with 50mm F1.4 lens, infinity, -1m)
• Diopter adjustment approx. -2.5 - +1.5m LCD monitor • TFT color LCD monitor with anti-reflective coating
• Brightness and color adjustable
• Wide angle view
• 3.0 inch
• Approx. 920,000 dotsLive View• TTL by Image sensor
• Enlargement (2X, 4X, 6X in case of AF mode, 2x, 4x, 6x, 8x, 10x in case of MF mode)
• Grid pattern, white/black out warning display, Histogram
display
• AF: Contrast detection + Face detection / Contrast detection /
Phase difference detectionFlash • Built-in retractable P-TTL pop-up flash
• Guide number: approx. 16 (Standard Output Sensitivity 200/m)
• Angle of view coverage: 28mm wide-angle (35mm equivalent)
• Flash Exposure Compensation: -2 EV - +1EV (1/2EV steps)
• P-TTL
• 1/180 sec flash-syncExternal Flash• Hot shoe, sync-speed: 1/180 sec.
• Wireless-sync with PENTAX dedicated flash Drive modes• Single-frame
• Continuous (Hi, Lo)
• Self-timer (12s, 2s)
• Remote control (0s, 3s)
• Interval up to 999 pictures
• Auto bracket (3 frames)Continuous shooting• Hi speed: 6fps - 25 JPEG, 12 RAW
• Lo speed: 2 fps - until card is full or 36 RAWRemote release• InfraRed remote (optional)
• Instant or with 3 sec delayCustom functions22 custom-programmable functions availablePlayback mode• One Image
• Index (4 or 9 or 16 or 36 thumbnails)
• Enlargement (up to 16X, scroll available)
• Image Rotation
• Folder view
• Slideshow
• Histogram
• Bright/Dark area
• Calender
• Resize
• Trimming
• Index
Digital filter
(Rec Mode)• Toy Camera
• High Contrast
• Soft
• Star Burst
• Retro
• Extract Color
• Custom
• Fish Eye
Digital filter
(Playback)• Monochrome
• Posterisation
• Color
• Soft
• Pastel
• Watercolor
• Sketch
• HDR
• Brightness
• Toy Camera
• High Contrast
• Soft
• Slim
• Star Burst
• Retro
• Miniature
• Fish Eye
• Extract Colour
• Base Parameter Adjustment
• CustomMenu languages • English
• French
• German
• Spanish
• Swedish
• Dutch
• Italian
• Russian
• Portuguese
• Danish
• Finnish
• Polish
• Czech
• Hungarian
• Turkish
• Japanese
• Korean
• Traditional Chinese
• Simplified Chinese
• GreekConnectivity • USB/Video
• USB 2.0 (HI-SPEED)
• Compatible with NTSC and PAL formats Power• D-LI109 rechargeable Lithium Ion
• Four AA (lithium, alkaline, and rechargeable Ni-MH) batteries with optional D-BH109 adapter
• Optional AC adapterBattery life (CIPA Standard)• 470 shots with D-LI109
• 1000 shots with AA Dimensions125mm x 97mm x 68mm (4.8 x 3.6 x 2.7 in)Weight (no lens) 598g (20.5 oz.) with D-LI109 battery, 625g with AAs

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Sigma SD1

Photokina 2010: Sigma has announced the SD1 digital SLR, which uses a brand new 46Mp 1.5x crop Foveon X3 sensor (4800 x 3200 x 3 layers). Designed as the company's flagship camera, the SD1 has a weatherproof magnesium alloy body, 3" 460k dot LCD, and new 11-point twin-cross AF system. Image processing is in the hands of a 'Dual True II' engine that promises improved speed and image quality, and the camera is compatible with the full range of Sigma lenses.

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Press Release:

Flagship digital SLR with 48.1 megapixel Foveon X3 sensor 46 megapixel 24×16mm APS-C sensor Lightweight yet solid magnesium alloy body Weather-resistant O-ring sealing connections Dual ‘TRUE II' image processing engines 11 Point Twin Cross AF Sensor

The Sigma Corporation is pleased to announce the new SIGMA SD1 Digital SLR Camera, incorporating a 46 megapixel 24×16mm APS-C X3 direct image sensor. The SIGMA SD1 is Sigma’s flagship digital SLR model, adopting a lightweight yet solid magnesium alloy for its body and O-ring sealing connections to make a weather-resistant design throughout for use in harsh conditions.

The SIGMA SD1 incorporates a 24×16mm APS-C X3 direct image sensor and dual “TRUE (Three-layer Responsive Ultimate Engine) II” image processing engines. The combination of the 46 megapixel sensor and dual TRUE II processing engines ensure the high resolution images are processed quickly with high definition and smooth and subtle graduation of colour. The SD1 is SIGMA’s latest digital SLR camera which meets high requirements of professional and enthusiast photographers for all types of photography.

SD1 Special site: www.SIGMA-SD.com/sd1

46 megapixel 24×16mm APS-C X3 Full-colour image sensor
The 46 megapixel (4,800×3,200×3 layers) 24×16mm APS-C X3 direct image sensor featured in the Sigma SD1 captures all primary RGB colours at each and every pixel location, ensuring the capture of full and complete colour. Using three silicon-embedded layers of photo detectors, stacked vertically to take advantage of silicon’s ability to absorb red, green and blue light at different respective depths, it efficiently reproduces colour more accurately, and offers sharper resolution, pixel for pixel, than any conventional image sensor. Since colour moirĂ© is not generated, the use of a low-pass filter is not required, meaning light and colour, generated by the 46 megapixel APS-C X3 direct image sensor, is captured with a three-dimensional feel.

Dual TRUE II image processing engine
The SD1 incorporates a dual “TRUE (Three-layer Responsive Ultimate Engine) II” image processing engine which improves the processing speed and overall quality of the final image. The unique image-processing algorithm provides high resolution power and reproduces high definition images with richly graduated tones. 

CF card
The SD1 adopts the TYPE I CF Card. This camera is compatible with UDMA Mode6, enabling fast processing of large amounts of data.
* It is not possible to use Microdrives and TYPE II CF cards.

11 point twin cross sensor
The autofocus system features an 11 point twin cross sensor. The shifted twin cross type sensor improves AF accuracy.

Magnesium body
The Sigma SD1 adopts a lightweight yet solid magnesium alloy body designed to withstand rough use and shocks in harsh conditions.

Weather-resistant design
Buttons and connections benefit from O-ring sealings to prevent dust and water getting inside the camera body.

Large, highly visible 3.0” TFT colour LCD Monitor
The SD1 camera features a 3.0 inch TFT colour monitor. This 460,000 pixel resolution LCD monitor benefits from a wide viewing angle, making it easy to check focusing and composition.

Optional lenses
The SD1 can be used with over 40 Sigma lenses such as ultra-wide, ultra-telephoto, macro and fisheyes which adopt the latest technology such as FLD and SLD glass, Aspherical lenses, Sigma’s unique Optical Stabiliser function, Hyper Sonic Motor and Sigma’s Super Multi Layer Coating. They meet the various and demanding requirements of all types of photographers.

FormatInterchangeable lens SLR cameraStorage MediaCompact Flash (Type I, UDMA compatible)Compatible LensesSIGMA SA mount interchangeable lensesViewfinder Magnification0.95x (with 50mm lens at infinity)Auto Focus TypeTTL phase difference detection systemFocus Mode• Single AF
• Continuous AF (with AF motion prediction function)
• ManualAF Point Selection• Automatic Selection
• Manual SelectionFocus LockShutter Release Halfway-Down positionBuilt-in Flash• Manual Pop-up Built-in flash
• GN11
• 17mm lens angle coveredFlash ConnectivityHot shoe (contact X synchronization at 1/180 sec. or less, with dedicated flash linking contact)LCD Monitor• 3.0" TFT colour LCD monitor
• Approx. 460,000 dotsDimensions145.5 mm/5.7" (W) × 112.5 mm/4.4"(H) × 80.0 mm/3.1"

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Sony Alpha DSLR-A390

Sony has released the DSLR-A390 and DSLR-A290, its latest entry level digital SLRs. As suggested by the images leaked on the internet, the cameras essentially add a new grip design to the existing A230 and A380 models. The other major change is that both now get the image-stabilized 14.2MP CCD sensor seen in the A380. As with the previous models, the higher-priced A390 features the company's fast liveview system and a 2.7 tilting LCD, while the A290 has a fixed LCD, no liveview and larger viewfinder. The rest of the features are shared by both cameras including on-screen camera guides and HD outputs. The A390 and A290 will start shipping next month at a retail price of $600 and $500 in the US market and €500 and €450 in the European market.

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Press Release:


Easy-to-use DSLR-A390 and DSLR-A290 with 14.2 megapixels

DSLR-A390 with 14.2 megapixels, Quick AF Live View and 6.7cm (2.7-inch) tilt LCD; DSLR-A290 with 14.2 megapixelsCompact, stylish body with new grip design and revised button layout for comfortable handling Quick AF Live View with tilt LCD (a390) for live image preview with fast, accurate autofocusFriendly on-screen Help Guide and Graphic DisplayHDMI output and BRAVIA Sync

June 9, 2010: The a (Alpha) digital SLR range from Sony grows further with two stylish, affordable new entry-level cameras.

Ideal for first-time DSLR users, the DSLR-A390 (a390) and DSLR-A290 (a290) offer a dramatic step up in picture quality and creative options from point-and-shoot compact cameras. Just as importantly, they’re beautifully easy to use, even if you’ve never handled a DSLR before.

With a resolution of 14.2 effective megapixels for flawless, low-noise images, both cameras offer the speedy shooting responses that are prized by DSLR users.  The a390 adds the extra benefit of Quick AF Live View. This unique system teams the convenience of live image preview on the tilt-angle Clear Photo LCD with speedy, accurate phase-detection autofocus.

The most affordable new DSLR from Sony, the a290 offers the same 14.2 effective megapixel resolution as the a390 in a compact body that weighs just 456g (excluding battery and media).

Both cameras feature an attractive new grip design that allows even more comfortable handling. Upper control areas of both models have also been revised with a clear, uncluttered new button layout.

Even DSLR novices will find it brilliantly simple to explore the generous creative features of both new cameras. The intuitive Graphic Display makes it easy to understand the relation between shutter speed and aperture, plus the effects of your chosen exposure settings on the final picture. The Help Guide offers clear, concise explanations of camera functions, illustrated by a sample image to show the results you’ll achieve. Quick access to shooting and playback function menus is streamlined by colourful on-screen icons.

The a390 and a290 include a mini-HDMI terminal for direct connection to any HD Ready TV (requires optional cable). Support for PhotoTV HD ensures even better-looking still image reproduction on compatible BRAVIA™ models.  BRAVIA™ Sync allows control of slideshow and other camera playback functions in comfort using your TV remote.

The stylish, easy to use new a390 and a290 digital SLR cameras by Sony are available from summer 2010.

Sensor• 14.2 million effective pixels
• 14.9 million effective pixels
• 23.5 x 15.7 mm CCD sensor
• RGB primary color filter Anti-dust measures• Sensor shake system
• Static-free anti-dust coatingAnti-shake• SteadyShot in-camera stabilizationImage sizes• 4592 x 3056 (Large, 14.0 MP)
• 3408 x 2272 (Medium, 7.7 MP)
• 2288 x 1520 (Small, 3.5 MP)
• 4592 x 2576 (Large, 12.0 MP, 16:9)
• 3408 x 1920 (Medium, 6.5 MP, 16:9)
• 2288 x 1280 (Small, 2.9 MP, 16:9)Image quality • RAW
• RAW + JPEG
• JPEG Fine
• JPEG NormalLens mount• Sony Alpha lenses
(also compatible with Minolta and Konica Minolta AF lenses)Autofocus • TTL phase dectection
• 9-point
Lens servo• Single-servo AF (AF-S)
• Continuous-servo AF (AF-C)
• Automatic AF-S/AF-C (AF-A)
• Manual focus (M)AF Area mode• Single-shot
• Automatic
• Continuous AFExposure mode• Programmed auto (P) with flexible program
• Shutter-priority auto (S)
• Aperture priority auto (A)
• Manual (M)
• Auto and 7 scene selection modes
MeteringMulti-pattern metering:
• 40 Segment
• Center weighted
• Spot
AE LockExposure locked at detected value with AEL buttonSensitivity• Auto
• ISO 100
• ISO 200
• ISO 400
• ISO 800
• ISO 1600
• ISO 3200 Shutter• Electronically-controlled, vertical-traverse, focal-plane type
• 30 to 1/4000 sec (1/3 EV steps) White balance• Auto
• Seven manual modes with 7-step fine-tuning
• Daylight
• Shade
• Cloudy
• Tungsten
• Fluorescent
• Flash
• CustomImage parameters• Preset modes: Standard, Vivid, Portrait, Landscape, Night view, Sunset, B&W
• Contrast (–3 to +3 steps)
• Saturation (–3 to +3 steps)
• Sharpness (–3 to +3 steps)
• D-Range Optimizer (Off, Standard, Advanced) Viewfinder • Optical fixed eye-level
• Pentamirror type
• Frame coverage 95% (approx.)
• Viewfinder magnification approx. 0.74x with 50mm lens at infinity; -1.0 m-1
• Spherical Acute Matte focusing screen

• Optical fixed eye-level
• Pentamirror type
• Frame coverage 95% (approx.)
• Viewfinder magnification approx. 0.83x with 50mm lens at infinity; -1.0 m-1
• Spherical Acute Matte focusing screen

LCD monitor• 2.7" tilting TFT LCD
• 230,400 dots• 2.7" TFT LCD
• 230,400 dots Live View• Pentamirror tilt system
• 1200-zone evaluative metering
• Frame coverage 90% (approx.)
• Magnification: 1.4x or 2x selectable
• Histogram display, real-time image adjustment display (Exposure compensation, white balance, Sunset/B&W of Creative Style)Built-in flash • Auto pop-up in Auto
• Guide number approx. 10 at ISO 100
• ±2EV (in 0.3 EV steps)Flash mode • Auto
• Fill-flash
• Red-eye reduction
• Rear flash sync
• Slow sync
• High speed sync
• Wireless off-camera flash
(with external flash HVL-F58AM, HVL-F56AM, HVL-F42AM, HVL-F36AM, HVL-F20AM)Continuous shooting • 2.5 fps with viewfinder
2.0 fps with Live View
• JPEG: Limited only by storage
• RAW: Approx. 6 frames
• RAW+JPEG: Approx. 3 frames• 2.5 fps with viewfinder
• JPEG: Limited only by storage
• RAW: Approx. 6 frames
• RAW+JPEG: Approx. 3 framesConnectivity• USB 2.0 (Hi-Speed)
• HDMI mini connector (Type C)Power Lithium-Ion battery pack NP-FH50Battery life Approx. 500 shots (CIPA standard)Dimensions Approx. 128.1 x 97.1 x 79.6 mmEmail Print Post comment News Discussion Share: Facebook Twitter Digg del.icio.us

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Samsung NX100

Pre-Photokina 2010: Samsung has announced the addition of the NX100 to its NX series of mirrorless interchangeable lens cameras. It features the same 14.6Mp sensor and 3.0" OLED screen as the NX10, which are built into a flat, 'compact camera style' body. It also offers the i-Function feature that allows the use of the focus ring to control various camera functions when using compatible lenses. To complement this feature the company has launched two lenses with i-Fn buttons - the 20-50mm F3.5-5.6 ED kit zoom and 20mm F2.8 pancake lens. There is also an electronic viewfinder, flashgun and GPS unit to accompany the NX 100. We've had a pre-production NX100 for a little while, so have produced a quick hands-on preview.

Click here our hands-on preview of the Samsung NX100

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Press Release:


New mirrorless camera incorporates unique new i-Function lens to give beginner and expert photographers seamless control and creativity

LONDON, UK – September 14, 2010 - Samsung Electronics (UK) Ltd today announces the launch of the unique Samsung NX100 – an innovative mirrorless camera equipped with the world’s first i-Function lens, putting the perfect picture at the fingertips of all photographers through a completely new way of controlling your camera.

The NX100 is set to dominate the new mirrorless camera category. This innovative new camera benefits from Samsung’s expertise across multiple areas of technology, meaning that all its key components are 100% produced by Samsung. This unique process has been combined with Samsung’s detailed and extensive program of consumer research, which provided valuable insights to incorporate into the NX100. The NX100 is also complemented by an extensive line up of lenses and accessories, giving photographers a full package of options with which to explore their creativity.

The launch of the NX100 follows the success of the NX10, Samsung’s first mirrorless camera and the first in the world to feature an APS-C size sensor, which has already changed the way millions of photographers across the globe take pictures, and raised the bar for the industry as a whole. The NX100 shares the industry leading technology of the NX10, such as an APS-C size sensor for quality images and a 3-inch AMOLED screen for clear and easy viewing. However, Samsung takes the mirrorless camera to the next level with the NX100, by incorporating the innovations of the NX10 and improving other areas of the camera’s performance and design. The body of the camera is slim, sleek and stylish, and it also features the intuitive i-Function lens which allows users to control their camera through the lens for the first time. The NX100 also boasts one of the fastest AF on the market today, which ensures that users never miss a moment, as well as an ISO that is raised to a maximum of 6400 for action shots.

The NX100’s shutter button and curved body have been inspired to an attractive natural shape. The lightweight, compact and modern design makes the camera extremely portable, allowing users with a creative flair to carry the NX100 with them anywhere and for any occasion. The NX100 is more than just a camera; it is both a creative tool and an artistic object that makes a bold style statement everywhere it goes. 

Mr. SangJin Park, President of Samsung Digital Imaging Division, Samsung Electronics, commented: “Our aim is to lead the mirrorless camera market in the same way we do the DualView category, and the new NX100 is the embodiment of that goal. Samsung has brought together this high quality of imaging technology with intuitive consumer insights based on our in-depth consumer research, which is why we believe that, alongside the NX10, the NX100 will enhance our position in this growing field. Our unique and pioneering i-Function Lens stands out from the competition as an example of our unparalleled innovation which will appeal to every photographer.”

While conventional lenses are passive in controlling camera settings, the unique i-Function Lens is a proactive lens that communicates with the camera body. It delivers total image control with fast manual settings to ensure quick and easy image capture, and also provides customized settings optimized for the lens being used. The lens incorporates an i-Function button which allows users to scroll through manual settings, and a focus ring which is used to easily change parameters for each setting. Users can toggle between shutter speed, aperture, EV, WB, and ISO quickly and easily by simply using the i-Function button and ring on the lens, meaning easier and quicker configuration while shooting.

The NX100 also has a lens priority mode which makes switching between lenses easier than ever. Firstly, each lens is clearly marked with icons that illustrate their main use to help users quickly learn which lens they need to select for any given scene. The lens priority mode provides scene options optimized for the lens being used – for example when a landscape lens is attached the camera will immediately display the landscape mode. Also, when users change to a specialized lens, the camera would recognize the lens type and automatically configure the settings that would best match with the attached lens. Note this latter feature is supported fully on future specialised Samsung lenses.

The NX100’s innovations aren’t confined to the lens – the camera also provides a very creative feature called ‘Smart Filter’. In playback mode, users can apply seven different effects to the picture, such as the vignette, soft focus, fish-eye or miniature effects. The ‘Smart Filter’ provides not just high quality images, but also features that are fun to use.

The fun doesn't stop with still images. The NX100 supports HD movie recording at 720P, to capture the finest details of your memories.  It also contains a ‘Sound Picture’ mode that can record audio whilst a photo is taken. To ensure each image is perfect quality, even when lenses are being changed regularly, the NX100 also features a supersonic dust reduction feature to remove any foreign particles from the lens before shooting.

At launch the NX100 will be equipped with a range of innovative lenses and accessories including a compact zoom 20-50mm lens, a small and light 20mm wide angle Pancake lens (to be introduced shortly after launch). Two additional specialized lenses will be made available in the first half of 2011 – a 60mm Macro lens and 18-200mm Super Zoom lens. To expand the lens line-up even further, three more lenses will be introduced by the second half of 2011. The NX system will be further enhanced with more accessories, including an Electronic Viewfinder, Flash and GPS tracker to capture your exact geographical location.

Sensor• APS-C type CMOS (23.4 x 15.6mm)
• 15.1 million total pixels
• 14.6 million effective pixels
• RGB (Primary) color filter arrayMovie mode• 720p HD Movie Recording
• H.264 compressionExposure modes • SmartAuto
• Lens Priority
• Program
• Shutter Priority
• Aperture Priority
• Manual
• Scene
• Movie
Scene modes • Beauty shot
• Children
• Close Up
• Text
• Sunset
• Dawn
• Back light
• Fireworks
• Beach & Snow
• Night, Portrait
• Landscape
• Sports
• Sound PictureSensitivity• Auto
• ISO 100
• ISO 200
• ISO 400
• ISO 800
• ISO 1600
• ISO 3200
• Extension settable : ISO 6400GPSGeo-tagging w/ Optional GPS Module (GPS10)Battery life • Still : 420 images , 210min (CIPA Standard)
• Movie : 130minDimensions120 x 71 x 35mm (excluding the projecting parts of the camera)Focal Length20 - 50mm (equivalent to 30.8-77mm in 35mm format)Elements in Groups• 9 elements in 8 groups
• 1 Aspherical lens, 1 Extra-low Dispersion lensApertureF3.5 - 5.6 (Min. F22), (Circular Aperture Diaphragm)Focal Length20mm (equivalent to 30.8mm in 35mm format)Elements in Groups• 6 elements in 4 groups (1 Aspherical lens)
• 1 Aspherical lensApertureF2.8 (Min. F22), (Circular Aperture Diaphragm)

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